Documented WWII CBI Theater Grouping to George E. Simpson, U.S. Army (India & Burma, 1944–45)

$275.00

Collection Overview

This documented and cohesive World War II archive represents the overseas service of George E. Simpson (March 10, 1917 – 1988), a United States Army serviceman from Canonsburg, Washington County, Pennsylvania, who served in the China–Burma–India (CBI) Theater from late 1944 through October 1945.

The collection consists of original wartime correspondence, personal snapshot photographs taken in India and Burma, a period CBI shoulder sleeve insignia, and official postwar documentation confirming Simpson’s military service. Together, these materials form a complete, internally consistent theater grouping tied to a single identified soldier.

Biographical Profile

  • Name: George E. Simpson

  • Born: March 10, 1917

  • Birthplace: Hill Station, Washington County, Pennsylvania

  • Residence at Enlistment: 110 N. Washington Street, Canonsburg, PA

  • Entered Active Service: March 1943, Pittsburgh, Pennsylvania

  • Foreign Service: October 29, 1944 – October 15, 1945

  • Theater of Operations: China–Burma–India

  • Discharged: October 20, 1945, Indiantown Gap, Pennsylvania

  • Service Number: 33738513

  • Died: 1988

Simpson entered service at age 26 and was deployed overseas at age 27. His foreign service dates align precisely with the letters and photographs preserved in this archive.

Historical Context

The China–Burma–India Theater was one of the most logistically demanding fronts of World War II. American forces operated across vast distances in extreme climates, supporting operations in India and Northern Burma against Japanese forces.

Mandalay, referenced in Simpson’s June 18, 1945 letter, was retaken by Allied forces in March 1945. By mid-1945, U.S. Army personnel were engaged in supply operations, infrastructure rebuilding, and stabilization efforts.

Simpson’s correspondence reflects service in camp supply and special duty assignments consistent with Services of Supply personnel, the backbone of CBI operations.

Collection Contents

1. Wartime Correspondence (1944–1945)

Handwritten letters sent from India and Mandalay, Burma. Dated examples include:

  • September 12, 1944 – India

  • June 18, 1945 – Mandalay

The letters describe:

  • Guard duty

  • Camp supply assignments

  • Administrative and typewriter work

  • Daily life in theater

  • Mail transit times and morale

The tone is reflective and personal, providing insight into the lived experience of a support soldier operating far from home.

2. China–Burma–India Theater Shoulder Sleeve Insignia

Original triangular SSI featuring:

  • Blue upper field with three white stars

  • Red horizontal stripe

  • Green lower section

  • White lightning bolt and sunburst motif

This insignia represents the U.S. Army Services of Supply in the CBI Theater and is consistent with Simpson’s documented overseas assignment.

3. Personal Snapshot Photographs

A series of original black-and-white photographs depicting:

  • Indian markets and vendors

  • Camel carts and livestock scenes

  • Local children and tradesmen

  • Wrestling matches and village life

  • Military trucks and camp scenes

  • Pagoda and temple architecture

  • Urban and rural street views

These images reflect the perspective of an American serviceman encountering the cultural landscape of wartime India and Burma. They are personal snapshots rather than official press images, increasing their interpretive value as firsthand documentation.

Significance

This archive represents:

  • A fully identified WWII soldier

  • Verified China–Burma–India Theater service

  • Primary source correspondence

  • Theater-correct insignia

  • Personal photographic documentation

The CBI Theater remains one of the lesser-collected and lesser-documented American WWII fronts. Cohesive, named groupings from this theater are comparatively scarce.

This collection preserves the wartime record of a Pennsylvania serviceman whose role—while not front-line combat—was essential to sustaining Allied operations in one of the most logistically complex theaters of the war.

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Collection Overview

This documented and cohesive World War II archive represents the overseas service of George E. Simpson (March 10, 1917 – 1988), a United States Army serviceman from Canonsburg, Washington County, Pennsylvania, who served in the China–Burma–India (CBI) Theater from late 1944 through October 1945.

The collection consists of original wartime correspondence, personal snapshot photographs taken in India and Burma, a period CBI shoulder sleeve insignia, and official postwar documentation confirming Simpson’s military service. Together, these materials form a complete, internally consistent theater grouping tied to a single identified soldier.

Biographical Profile

  • Name: George E. Simpson

  • Born: March 10, 1917

  • Birthplace: Hill Station, Washington County, Pennsylvania

  • Residence at Enlistment: 110 N. Washington Street, Canonsburg, PA

  • Entered Active Service: March 1943, Pittsburgh, Pennsylvania

  • Foreign Service: October 29, 1944 – October 15, 1945

  • Theater of Operations: China–Burma–India

  • Discharged: October 20, 1945, Indiantown Gap, Pennsylvania

  • Service Number: 33738513

  • Died: 1988

Simpson entered service at age 26 and was deployed overseas at age 27. His foreign service dates align precisely with the letters and photographs preserved in this archive.

Historical Context

The China–Burma–India Theater was one of the most logistically demanding fronts of World War II. American forces operated across vast distances in extreme climates, supporting operations in India and Northern Burma against Japanese forces.

Mandalay, referenced in Simpson’s June 18, 1945 letter, was retaken by Allied forces in March 1945. By mid-1945, U.S. Army personnel were engaged in supply operations, infrastructure rebuilding, and stabilization efforts.

Simpson’s correspondence reflects service in camp supply and special duty assignments consistent with Services of Supply personnel, the backbone of CBI operations.

Collection Contents

1. Wartime Correspondence (1944–1945)

Handwritten letters sent from India and Mandalay, Burma. Dated examples include:

  • September 12, 1944 – India

  • June 18, 1945 – Mandalay

The letters describe:

  • Guard duty

  • Camp supply assignments

  • Administrative and typewriter work

  • Daily life in theater

  • Mail transit times and morale

The tone is reflective and personal, providing insight into the lived experience of a support soldier operating far from home.

2. China–Burma–India Theater Shoulder Sleeve Insignia

Original triangular SSI featuring:

  • Blue upper field with three white stars

  • Red horizontal stripe

  • Green lower section

  • White lightning bolt and sunburst motif

This insignia represents the U.S. Army Services of Supply in the CBI Theater and is consistent with Simpson’s documented overseas assignment.

3. Personal Snapshot Photographs

A series of original black-and-white photographs depicting:

  • Indian markets and vendors

  • Camel carts and livestock scenes

  • Local children and tradesmen

  • Wrestling matches and village life

  • Military trucks and camp scenes

  • Pagoda and temple architecture

  • Urban and rural street views

These images reflect the perspective of an American serviceman encountering the cultural landscape of wartime India and Burma. They are personal snapshots rather than official press images, increasing their interpretive value as firsthand documentation.

Significance

This archive represents:

  • A fully identified WWII soldier

  • Verified China–Burma–India Theater service

  • Primary source correspondence

  • Theater-correct insignia

  • Personal photographic documentation

The CBI Theater remains one of the lesser-collected and lesser-documented American WWII fronts. Cohesive, named groupings from this theater are comparatively scarce.

This collection preserves the wartime record of a Pennsylvania serviceman whose role—while not front-line combat—was essential to sustaining Allied operations in one of the most logistically complex theaters of the war.

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